Ohad Krièf
Ohad at the cutting table

Ohad Krièf

Ohad’s designs carry a signature you can recognize.
Behind every gown are the standards of the French tradition.

Ohad studied design at Shenkar, planned the studio from New York, and came back to open it here.

Euphoria — a structured corset with sculpted cups

In 2023 he made Euphoria, built entirely around the corset, with necklines and cups sewn by the studio’s own methods.

After a collection that was all body, he looked for what rests on it.

Soleil Blanc — beaded lace over a sheer corset

Soleil Blanc followed in 2024 — the Belle Époque and Art Nouveau in Mikado silk, with settings sewn by hand.

The richer the fabrics became, the more the cut had to carry.

Daydream — a diagonal cut across the body

In 2025 came Daydream, and with it the diagonal cut, out of 1940s Hollywood.

Then he turned to what holds a cut together, to the craft itself.

Savoir-Faire — a tailored silhouette in silk satin

Savoir-Faire arrived the same year: French for knowing how to do, and the collection where the craft is the subject.

Once the craft is known, everything but the essential can come off.

Épure — satin, sculpted to the figure

Épure, in 2026, set Streamline Moderne against Marie Antoinette and replaced ornament with structure.

The atelier

The studio

Every gown is cut, built and fitted on Ha’Arbaa Street, by the same small team, from the first fitting to the wedding day.

A gown is not measured onto a body, it is sculpted around one, in natural silk, French lace and beaded fabrics.